Angry Black Woman

By Nomathemba Pearl Dzinotyiwei


Picture courtesy of Pinterest

I am a black African woman. I get angry. Being black, and a woman does not equate to being angry. I am not always angry. Sometimes I’m happy, other times I’m excited and on occasion I am fearful. Anger is an emotion not a permanent state of being. Emotions come and go as and when they are triggered. There are two triggers for anger, fear or trauma. But today I am angry.

Dying For Love

I am angry because yet another black woman not unlike myself has died at the hands of her partner. I don’t care if there was a fight. I don’t care who started it. I don’t care that she spent his money or whether she wanted to break off the relationship. I am angry because it could happen to my sister, my daughter, my niece or my friend.
I am angry because I live in a society where a woman cannot negotiate relationship terms, ask a man to use a condom, or walk away from an abusive man without losing her life. I am angry because men who kill their partners get off with culpable homicide because the prosecution cannot prove that the killing was pre-meditated.

It’s Your Fault For Being Irresistible

I am angry because black girls are more likely to be victims of sexual abuse, at the hands of family, friends, teachers or complete strangers. I am angry because 40% of women in South Africa are likely to experience rape at least once in their lives. I am angry because the trial, court system, rules of evidence and conduct of police, judges and lawyers retraumatise the victims.

I am angry because black women and girls cannot walk in public or travel on public transport at certain times, without being sexually harassed. I am angry that men actually think they should be flattered by the attention and accept being groped, fondled and raped. I am angry because black women and girls are told what to wear and where to go, instead of telling men not to grope, fondle or rape. I am angry that rapists don’t get to go to jail to experience the hell of rape themselves by other men.

Where the Slay Queens At?

I am angry because in this world, a girl must prostitute herself for alcohol, drugs, a new hairstyle whether Brazilian weave or a synthetic bob, a designer outfit, sanitary pads, a two piece meal at KFC, a can of coke or university fees. I am angry because a young woman must grant sexual favours to the boss to get a job, keep her job or get a promotion.

Sex is For The Man

I am angry because black girls are mutilated to control their sexual feelings. I am angry because they are cut open with knives by their husbands when they have sex for the first time. I am angry because they have to be treated at a specialist hospital for injuries sustained during childbirth.

I am angry because a black girl is seen,  not heard, not educated, or given an inheritance ahead of her brothers to assure her independence. I am angry because black girls are married off before they finish puberty to assure men of their purity. I am angry because educated black women are under pressure to find a husband, as if men who are marriage material are as many as grains of sand on a seashore. I am angry because a black woman cannot decide when and if she wants children or how many. I am angry because black women still die in childbirth in South Africa.

Hanging Off the Last Rung

I am angry because I live in a world of whiteness and patriarchy, that puts a black woman at the bottom of the social and economic ladder. White man, White woman, Indian Man, Indian Woman, Coloured Man, Coloured Woman , Black Man then Black Woman. I am angry, because when a black Woman challenges anyone above her on the ladder, even based on facts, she is labeled as emotional, irrational and you guessed it, angry.

I am angry because a black woman is offered and paid less than a white or Indian man or woman for the same job, even if she has more qualifications and experience. We know from the cars that they drive, where they go on holiday and where they send their children to school. I am angry that the diversity and inclusion committees have no real power to influence transformation in corporate entities.

I am angry because a black woman executive must put on a performance to get ahead in the patriarchal corporate death cult. She must read more, learn more, work harder, sleep less, lean in. She must show just enough passion, not too much, or the place will burn to the ground. She must smile, be pleasant, make her point without ruffling superiors’ feathers, tiptoeing around gross executive egos with jagged edges. She must be on the side of management even when they are wrong. She must defend the oppressor against the oppressed because they hold her livelihood in the palm of her hand.

I am angry because black women experience racist and sexist road rage, sometimes just for driving with care. I am angry because black women still get verbally abused in restaurants by white patrons. I am angry because black mothers have to bury their children killed by white farmers for spurious reasons.

Why Were You Angry Baby? ( Vivienne Johnson to her daughter Maya Angelou)

I am angry that many reading this article will either minimize or deny this constant assault on black women’s bodies, lives and integrity. I am angry because others will be emotional without taking any action or doing any self-introspection. I am angry at the black men who are more oppressive of black women than other races, calling them ‘bitches’ or ‘hoes’. I am angry at black women who blame the victims and take the oppressor’s side, that lack empathy because they are in a more comfortable position with education, money and choices that other black women don’t have.

I have plenty to be angry about, enough for several lifetimes. Most of all, I am angry that I will be called an angry black woman, as if anger is a permanent state of my being, by the people who do the very things that make me angry.

No Rules: The Back Story

What inspired you to write this story?

I am an idealist and an incurable romantic. I believe in love and in the happily ever after. My parents have been married for over 40 years and been together for almost 50 years. My husband and I recently celebrated our 18th wedding anniversary. I’ve witnessed the struggles of my single friends, both male and female when it comes to dating and picking the right person. I want to portray a positive view of marriage and relationships with a minimum of drama and pain. I have friends who are in cross-cultural marriages and relationships and they’ve shared some of the issues they face.

Why did you choose the title of No Rules?

Mwoyo muti unomera paunoda is a Shona saying which means the heart (love) is a tree which grows where it wants to. There are no rules to love. People have tried reducing the phenomenon of love to a formula, but there really isn’t one. They’ve come up with all sorts of rules designed to help people succeed. The relationship in this story breaks all of them. The laws of physical attraction may be fixed but love is really a supernatural phenomenon. Magazines and self-help books are full of advice on how to get and keep a man, how to affair-proof your marriage and relationship etc. but the reality is that love is about how two people feel about each other and their commitment to being together. There are different kinds of love and we feel them at different times for different reasons which makes it hard to predict and manipulate.

What are ‘the rules’?

1. Sex. How long do you wait before you have sex? Men generally, driven by pure lust want to have sex on the first date or soon after. Lust is a biological phenomenon intended by God for humans to multiply. A man in this case is driven by the instinct to spread his seed. The majority of men lose interest immediately afterwards. So women have a dilemma.  Do you insist that he marry you, then watch him move on? Or do you compromise and have sex because you love him and because, let’s face it, women have needs too, then risk him waking up the following day and deciding you’re not the one?

There’s a double standard that applauds men while denigrating women for having sex outside of marriage. Steve Harvey wrote Think Like A Man for his daughters because he understands how men think. He suggests waiting for 90 days, in order to be sure of the man’s intentions. However, there are people who had sex from the day they met and are still together, while others waited years, got married and still got divorced. So that rule is not absolute.

In the novel, the couple wait for a while. They try to fight it. They don’t do a very good job. That’s the reality. There are so many roadblocks, obstacles and protocol around marriage which make it an onerous process. I don’t believe God ever intended for marriage to be so complicated. In Genesis, God created Eve and simply put her in the garden. Adam decided she would be his partner saying she is the flesh of his flesh and bone of his bone.  Marriage rites are human rules to preserve property rights & establish paternity in a patriarchal society among other reasons. People should be honest with themselves and with each other about expectations regarding sex and a relationship.

2. Marriage. How long should you wait? Some people get married within 6 months of meeting and stay together, while others wait years and still get divorced. Jide and Pelo meet and survive serious challenges before they get their happily ever after. In some relationships a couple can go through in six months, what others take 10 years to experience. The question is is how well do you know your partner? Do you love him or her enough to live with their imperfections? Some people close their eyes to the truth, only to realise they can’t handle those imperfections and then they get divorced 2 years or 20 years later.

The story is set in South Africa in 2017? Why is that?

I’ve lived in South Africa for over 10 years. It is a beautiful country, vibrant, cosmopolitan and has such a rich history and diverse cultures. It’s a place that attracts people from different nationalities. I want to showcase what makes our country special. South Africans know to have fun, we can really party. We’re among the earliest risers in the world and we strive to do better for ourselves and our families.  If you live in South Africa, you can relate to the setting. I’ll be publishing photographs and other media to make it real for readers overseas because I want them to see what I see.

Why choose Millennials for the main characters?

I wanted to represent young urban African professionals who are educated, accomplished and cosmopolitan. I have not come across too many stories about this cosmopolitan generation. The Millennials have been the subject of research and debate. They are different from previous generations. They are more socially and environmentally conscious, they think differently. They also value family and tradition even though they practice these in their own way. They are technologically advanced and connected via social media. They want to change the world. They are the leaders of the future and that future is not far off. I wrote the story in the first person, which is incredibly challenging, because I want the reader to stand in the people’s shoes and experience the emotions. My children are from that generation. When they come of age, I want them to choose their partners wisely so In a sense, I am writing this for them.

Why does Pelonomi have to be studious, in other words, a nerd?

Nerds fall in love too. Pelo is a highly intelligent, educated and cultured young woman. Many men would be attracted to her face and body and not pay attention to her amazing mind or her crazy ideas. But crazy ideas are the ones that change the world. When we appreciate everything about our partners, we can support them and they can achieve extraordinary things. Jide’s a nerd too, he just doesn’t look like one, because he plays basketball and is in great physical shape. So the story is about two nerds falling in love. In a sense it is a way of letting intelligent girls know that they can be themselves and find love and not have to hide their brilliance because it makes men insecure.

There are some highly charged and explicit love scenes. What is your reason for including these? 

This is a work of adult fiction. Sex is an integral part of life. We are all here as a result of sex. Studies show the number of times men and women think about sex. It’s a primary biological need, whose purpose is to keep the human race from extinction, not that we are in any danger of that now. In the novel, I wanted to portray sex in a loving committed relationship because many people believe sex is boring when you get married or commit to one partner. It really isn’t, unless you make it so. If you do, you’ll forever be lusting after other people. Too many people destroy their marriages because they are fantasizing about what is out there. In my opinion, casual sex is the equivalent of eating junk food when you can have a gourmet meal at home, because you lack that intimacy and emotional connection that makes it special.

You don’t pull your punches when you talk about xenophobia. Why is that? 

I was born in Zimbabwe. My paternal grandfather was Zulu. His family were immigrants in what was then called Rhodesia. I am classified as an immigrant because I was not born in South Africa. I have personally experienced xenophobia because I use my husband’s surname and my passport does not bear witness to my genealogy.

The reality is that there is no pure race or tribe. We’re all from somewhere else. The borders that we live within are artificial ones created by the colonial powers in an effort to keep peace among themselves. These borders split up families, clans and nations from a common linguistic and cultural point of view.

My two main characters are from different countries and they each face hurdles in believing that the love is real and getting this relationship accepted because of the stereotypes and barriers that we have developed as African people.


You talk extensively about religion and spirituality. Why is that?  

The lovers are both Christians at different stages in their walk with God. Our spirituality is an important part of who we are. When we don’t t spend time in some sort of devotion, we lose touch with a vital part of ourselves and we try to fill that emptiness with drugs, alcohol, sex, food or whatever other addictions. I want to promote a positive image of God as a loving deity, not a harsh taskmaster. The God that I worship is interested in all the details of our lives, including our love lives and believe it it not, sex. There are also different ways of relating to God, known as spiritual pathways and God will meet you on the pathway you choose because the Bible says God is a rewarder of those who diligently seek him. Hebrews 11:6.

Who needs to read this story?

Single people, particularly women, who struggle with issues of relationships and expressing themselves sexually. Married people too will find some wisdom to revive the passion in their relationships. Writing the novel helped me to appreciate things about my husband and our marriage that I tended to take for granted.

What can we look forward to in the novel? 

There is romance, fun and laughter. There are interesting conversations with friends and family, moments of drama, crisis and conflict. There’s the bridal shower where the pastor’s wife gives an iconic speech and the preparations for the four different ceremonies for the marriage to be complete.

What other plans do you have for the story? 

I would love to make a film of it. I think it is a great story. I would also like to get people to engage with the story on different platforms, because there are so many issues that are relevant to our society that we need to think about and debate and confront and change our minds if possible, in order to make better choices for ourselves and for people around us.

No Rules: An African Love Story. A Synopsis

This is a an urban contemporary love story between two Millennials: Pelonomi is a South African woman and Jideofor, a Nigerian man. The title ‘No Rules’ reflects how their relationship breaks all the known rules. It raises the question of how people get to know each other and decide on whether a person is ‘the one’.

The story takes you on the roller-coaster ride of their relationship. Despite the riveting attraction, they have an argument the first time they meet, that almost scuttles any possibility of being together. Steve Harvey’s recommended 90 day no-sex rule features here, but long will they be able to resist the explosive chemistry between them?

There are episodes of drama with their exes, a near- death experience and interesting conversations with the couple’s friends and family as they come to terms with this whirlwind love affair. There is the conflict the between global contemporary lifestyle and lingering demands of both Pedi and Igbo tradition and custom.

The story is set in Johannesburg, giving the reader an view of contemporary South African urban life. In the end it’s a heartwarming story of how two unlikely lovers overcome their differences to build a solid relationship and embark on a life together.